Natalia Albin
Writing
Films
Contact
Graphic Design
Henry Lloyd-Hughes: “Are there enough hours in the day to do all the things that I want to do? Absolutely not.” | 1883 Magazine
Alex Burunova talks Satisfaction, filmmaking through intuition and female rage | 1883 Magazine
Kieron Moore is building on the idea of himself | Short Stuff
Nell Williams on How To Make A Killing | 1883 Magazine
How James Sweeney Survived 100 Rejections to Make Twinless | 1883 Magazine
Toheeb Jimoh discusses Industry season four, fashion, and his craft | 1883 Magazine
Julia Weisberg Cortés – “Dentro de la tragedia también hay un amor inmenso. La presencia del duelo es la presencia del amor” | Girls at Films
Lauren Lyle and Alexander Arnold on Comedy, Chemistry and the Perfect Date | 1883 Magazine
Women we Love: Louisa Connolly-Burnham | Girls at Films
Essays
Dispatches from the set of The Intimacy Coordinator | Short Stuff
Thirty books for thirty years | Substack
From sepia filters to ‘Emilia Pérez’: the silent violence of Mexican representation in film | Substack
Feminism as a weapon of misogyny | Substack
Men aren’t reading fiction and it’s hurting all of us | Substack
The lost promise of the Unlikeable Female Protagonist | Substack
The privilege of lonely: Sofia Coppola’s trapped girls | Substack
The guilt of leaving home | Postscript (as this publication shut down, this is a text version of the original published piece)
Selected poetry
i didn’t know i was blooming until i died
render me immortal
Why fight skepticim with you can prove its point?
Clarity
For the women gone
the girl in the white dress
Selected film reviews
(published in Spanish for Girls at Films)
#Berlinale2026: Sad Girlz: about the trauma of womanhood and how to navigate it through friendship
Frankenstein: an adaptation that, with visible sutures, hits the heart of the story
Hedda: the theatre anti-hero gives us a night of filmic chaos
Hamnet: the magic achievement of Chloe Zhao
The Voice of Hind Rajab: the most urgent film of the year
Witches: being a woman is being a witch, being a witch is suffering
Maria: the last of Pablo Larraín’s golden cages
Queer: loneliness and the addiction to being loved
Emilia Pérez: a vision of Mexico without any Mexicans
La Cocina: the fall of the American Dream (because America is not a country)
Love Lies Bleeding: on what we do for love (or desire)